Reflection of the subject biography in the novel Mirnama by Jan Dost
DOI:
https://doi.org/10.25007/ajnu.v10n1a1097Abstract
After the retreat of classicism and the advent of romanticism, the purity of genres no longer had power and gradually the literary genres embraced each other and merged. The best and most suitable genre for bringing together and embracing other genres is the novel. Because it has a wide space and is even the first art to be given the opportunity to mix genres and not only not to be criticized, but also to be seen as a high innovation. Thus, the novel provided the ground for dialogue between different discourses, which is considered the most prominent feature of the novel, and this dialogue led to the emergence of the term textualism, which calls for the removal of boundaries between all literary genres There is no doubt about it It is not that all the products of human life are nothing but improvements on the products of the ancient nations.
Biography has a significant presence in the literature of the whole world and Kurdish literature and is one of the genres that the novel has embraced and has more or less enriched and promoted the genre of the novel. Although Kurdish novels, especially biographies, have received less attention, good efforts and experiences have been made in the last 10 years. The text of Mirnama is one of the successful experiences that presents the life of the great Kurdish poet Ahmadi Khani in the framework of an artistic novel. Therefore, because of the novelty of the experience, we decided to identify and analyze the reflection of the characteristics of the subject's biography in the novel Mirnama.
Our research consists of two parts. In the first part, the definition of biography and types of biography in general and thematic biography in particular, as well as the relationship between thematic biography and the novel, are presented in a theoretical manner and in several short topics. In the second part, through the relationship between the subject's biography and history, the novel's covenant, the marja'i covenant, and the genreization of the novel, we have presented the ways of reflecting Ahmadi Khani's biography in the novel. Finally, we have summarized the most important results of our research in several points.
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