سایکولۆژیا رەنگان دهۆزانێن محسن قوچانیدا
DOI:
https://doi.org/10.25007/ajnu.v11n1a879Keywords:
psychology, Colors, modern poems, modernismAbstract
Color as an important part of nature has its impact on society and has become a way of expressing feelings. The poet as an individual in the community is influenced by colors and has used colors in poetry. The poet was able to create symbols and poetic images from colors.
The modern poetry always tries to keep away from the impact of society through creating and constructing symbols and individual images. Accordingly, the modern poetry is full of the use of colors used by individuals. However, the poet could not stay away from using colors apart from the social meaning and this is quite clear in their poetry. This research highlights the use of colors by Mohsen Quchan, who is considered as one of the early poets of modernism in Bahdinan Region. The aim of the research is to shed light on the way he uses colors in his poems.
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ثةرتوك ب زمانىَ كوردى
١- ئةبو عوبةيد عةبدوللا زياب، هوزانا نويخازى ل دةظةرا بادينان، ضاثا ئيَكيَ، ضاثخانةيا وةزارةتا ثةروةرديَ- هةوليَر،٢٠٠٥.
٢- محسن قوضان، ل بةرسفكا مة بةفر دباريت، ضاثا ئيَكىَ، ضاثخانا خانى، دهوك، ٢٠٠٩.
٣- عيماد وةيسى خالد، جةظةنط دهؤزانا ريالستيكا كوردى دا دةظةرا بةهدينان(١٩٧٠-١٩٩١) ضاثخانةيا وةزارةتا ثةروةرديَ، هةوليَر، ٢٠٠٤.
٤- هةردةويَل كاكةيي، رةنط لة فولكلؤرى كورديدا، ضاثى يةكةم، ضاثخانةى شظان، سليَمانى، ٢٠٠٥.
نامةييَن ماستةرو دكتورايىَ
١- روندك محسن ائسماعيل، دةلالةتا رةنطان دهؤزانا نويخوازا كورديدا(دةظةرا بادينان ٢٠٠٣-٢٠١٥)، ناما ماستةرىَ، زانكويا زاخو،٢٠١٧.
٢- مصطفى محمد كريم زةنطةنة، رةنط لة زمانى كورديدا( ليَكؤلينةوةيةكى ليَكسيكى سيمانتيكيية)، نامةى دكتورا، زانكؤى صةلاحةددين، هةوليَر،٢٠٠١.
فةرهةنط
١- عبدالرحمن شرفكندى(هةذار)، هةنبانة بؤرينة، فرهنط كردى- فارسى، ضاث دوم،
١٣٧٦.
ثةرتوك ب زمانيَ عةرةبى
١- ابتسام مرهون الصفار، جمالية التشكيل اللوني في القران الكريم، عالم كتب الحديث، اربعة، اردن،٢٠١٠.
٢- محمد حسن عبدالله، المسرح المصلى تاميل نظرى و نصوصى من فن التراث العربي، دار القباء، للطباعة والنشر، القاهرة،٢٠٠٠.
٣- محمد فتوح احمد، الرمز والرمزية في الشعر المعاصر، ط ٣، دار المعارفن القاهرة،١٩٨٤.
نامةييَن ماستةرو دكتورايىَ ب زمانىَ عةرةبى
١- احمد عبدالله محمد حمدان، دلالات الالوان في شعر نزار قباني، رسالة ماجستير، جامعة النجاح الوطنية، كلية الدراسات العليا،٢٠٠٨.
٢- فايزة عيساوي، اللون والدلالة في الشعر الجزائري المعاصر"نماذج المختارة"، رسالة ماجستير، ٢٠١٥.
٣- نائل درويش سليمان المصري، سمياء الاَلوان في شعر بلند الحيدري، رسالة الماجستير، كلية الاداب،٢٠١٤.
طوظاريَن ب زمانىَ عةرةبى
١- صباح عبدالرضا أسيود، دلالة استخدام اللون في شعر يوسف(دراسة في المجلد الاول)، جامعة البصرة، مركز دراسات البصرة والخليج العربى، مجلة اداب البصرة، العدد(٧٣).
٢- عبدالباسط محمد الزيود، ظاهر محمد الزواهرة، دلالات اللون في شعر بدر شاكر السياب ديوان(انشودة المطر نموذجا)، دراسات العلوم الانسانية و الاجتماعية، المجلد(٤١)، العدد(٢)،٢٠١٤.
٣- محمد طالب غالب الاسدى، العلامة اللونية دراسة في توظيف اللون و دلالتة في تشكيل المشهد الشعري في الشعر مظفر النواب، كلية الاداب، جامعة البصرة، مجلة اداب البصرة، العدد(٤٠)،٢٠٠٦.
٤- د. حنان بومالي، سيميولوجيا الألوان وحساسية التعبير الشعري عند صلاح عبدالصبور، مجلة الأثر، عدد ٢٣، ٢٠١٥.
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