Audre Lorde’s Zami: A New Spelling of My Name as a Feminist Bildungsroman
DOI:
https://doi.org/10.25007/ajnu.v11n4a997الملخص
In accordance with the increasing confirmation within feminist literary and cultural studies on women’s literature and the rumination of its social function to provide a sympathetic as well as a critical analysis of contemporary feminist fiction, this paper explores the attempt of women writers to reconfigure and reformulate established fictional genres to create more responsive genres that better represent the heterogeneity of women’s experiences. Focusing on the way Audre Lorde incorporates individual and collective memories as well as erotic and traumatic memories in her literary works, I use the literary category of feminist Bildungsroman to examine her biomythography, Zami: A New Spelling of My Name in which she presents an alternative model of female development. The paper traces the strenuous personal development and transformation of Audre as a black woman endeavouring to challenge marginalization and resist the various forms and layers of abuse and subjugation practiced against her in a racist and sexist society. Taking into consideration that the political implications of women’s writing can only be theorized when it is related to the cultural and ideological processes that shape it, I employ Rita Felski’s analysis of women’s modern writing as a area where female political identities and collective consciousness are treated and depicted.
In accordance with the increasing confirmation within feminist literary and cultural studies on women’s literature and the rumination of its social function to provide a sympathetic as well as a critical analysis of contemporary feminist fiction, this paper explores the attempt of women writers to reconfigure and reformulate established fictional genres to create more responsive genres that better represent the heterogeneity of women’s experiences. Focusing on the way Audre Lorde incorporates individual and collective memories as well as erotic and traumatic memories in her literary works, I use the literary category of feminist Bildungsroman to examine her biomythography, Zami: A New Spelling of My Name in which she presents an alternative model of female development. The paper traces the strenuous personal development and transformation of Audre as a black woman endeavouring to challenge marginalization and resist the various forms and layers of abuse and subjugation practiced against her in a racist and sexist society. Taking into consideration that the political implications of women’s writing can only be theorized when it is related to the cultural and ideological processes that shape it, I employ Rita Felski’s analysis of women’s modern writing as a area where female political identities and collective consciousness are treated and depicted.
التنزيلات
المراجع
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التنزيلات
منشور
كيفية الاقتباس
إصدار
القسم
الرخصة
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يوافق المؤلفون الذين ينشرون في هذه المجلة على المصطلحات التالية:
١. يحتفظ المؤلفون بحقوق الطبع والنشر ومنح حق المجلة في النشر الأول مع العمل المرخص له في نفس الوقت بموجب ترخيص المشاع الإبداعي [سيسي بي-نك-ند 4.0] الذي يسمح للآخرين بمشاركة العمل مع الإقرار بحقوق التأليف والنشر الأولي في هذه المجلة.
٢. يمكن للمؤلفين الدخول في ترتيبات تعاقدية إضافية منفصلة للتوزيع غير الحصري للنسخة المنشورة من المجلة من العمل (على سبيل المثال، نشرها في مستودع مؤسسي أو نشرها في كتاب) مع الإقرار بنسخة أولية نشر في هذه المجلة.
٣. يسمح للمؤلفين وتشجيعهم على نشر عملهم عبر الإنترنت (على سبيل المثال، في المستودعات المؤسسية أو على موقعهم على الويب) قبل وأثناء عملية التقديم، حيث يمكن أن يؤدي إلى التبادلات الإنتاجية، فضلا عن الاستشهاد المبكر والأكبر للعمل المنشورة ( انظر تأثير النفاذ المفتوح).
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