theatrical directing experience between growth and application robert wilson as a model (1941-2020)

Abstract

Directing in the theatrical performance has become one of the important necessities, rather it has become the backbone of the process of building the show space, and the director’s task has gone beyond its traditional limited function, as a result of those changes and developments that occurred within the world of theater, in addition to the changes that occurred in the director’s vision of how to build the artistic painting Within the scene or theatrical scene, the dimensions of thinking and vision have expanded within the endless ocean of imagination at the director, in addition to rebuilding the self at the director to adapt to scientific development and all that is new, and the level of abilities in building the presentation scene and the use of vocabulary has taken a far horizon which was expected. The study is divided into three chapters. The first chapter includes the research problem, which consists of the following question: How did the directing experience grow and reach professionalism? What are the effects of the director's experience (Robert Wilson) on the new concept of directing? Therefore, there was a need to study ((the directing experience between development and application - Robert Wilson - a model)), and the importance of the research comes to those changes that occurred in the system of construction and embodiment of theatrical performance, and the main role of the director in putting forward, organizing and managing the theatrical process The aim of the research is to reveal the stages that have gone through and developed by directing and led to the emergence of the director, while showing the extent to which the modern directing experience has affected the construction of theatrical performance, and the limits of the research are related to the development of the directing experience, and the impact of the experience of (Robert Wilson) on the new format of directing. Theatrical period (1941 to 2020) with a definition of the term followed by a procedural definition. As for the second chapter, it consists of three sections: - The first topic: (theatrical directing experience, emergence and development), which begins with an introduction that touches on the concept of directing and the applied stages of the phenomenon of directing within theatrical work throughout history, in addition to fixing the director’s work. The first stage: includes the phenomenon of abscess in the Greek and Roman theatre, the second stage: the phenomenon of directing in the Middle Ages and the church theater, the third stage: the phenomenon of directing in the Renaissance until the eighteenth century, specifically in Shakespeare's theater, the fourth stage: after the eighteenth century and the emergence of the characteristics of the director. And the second topic: (directing experience and the real professional process in the field of directing) and it includes the main factors that led to the transformation of directing into a craft, in addition to the emergence and independence of the director’s profession, the directing experience of Sachs Meiningen and Andre Antoine, and the modern concept of directing. The third topic: (The new direction in directing - Robert Wilson as a model), as it includes the life and directing experience of the American director (Robert Wilson), and the new concept of the directing process with showing the stages of his experience through some of his performances. Then comes the third chapter and includes conclusions, recommendations and suggestions. To end with the sources and the summary in Arabic and English.